Question by Zobi: Broadcast News Program Microphones?
The Broadcast Journalism Department at the school I goto is fairly new. I noticed that on every show that we put on for our school, we use a standard XLR microphone to record the anchors. We tired using a Wireless Lavalier system, using two different mics. It was the “AmpliVox Sound Systems S1600 VHF Portable Wireless Microphone System with Lavalier Microphone” (http://www.bhphotovideo.com/c/product/490242-REG/AmpliVox_Sound_Systems_S1600_S1600_VHF_Portable_Wireless.html)to be exact.
The outcome was horrible, we got very bad feedback and noise. You voices from the two anchors was very low. I am guessing that since it was two of the same type of wireless system and probably on the same frequency, thats the reason the sound was so bad.
I was looking online for a reasonable solution to this problem so that each anchor could have their own mics and not have the huge mic sitting on the anchor desk.
I found this: http://www.bhphotovideo.com/c/product/118035-REG/Azden_221LTA1A3_221LT_Dual_Lavalier_System.html
I think that might be a good solution to our problem, but I would like to get others opinions on this, especially if we spend all the money to but this.
Thank you! :]
Best answer:
Answer by Daniel K
Most TV studios use WIRED lapel mics. They are much more reliable and sound way better than any wireless lapel mic.
You should not be getting feedback in a TV studio. The sound from the anchor mics should never be amplified in the studio – only in the control room behind a closed door.
You can get a good wired XLR lapel mic for around $ 150 dollars – it will work great and last a long time.
Wireless mics should be avoided at all costs. I only use them when they are really needed. They are more trouble than they are worth.
Wired lapel mics:
http://www.bhphotovideo.com/c/product/68272-REG/Audio_Technica_AT803_AT803B_Mini_Clip_On.html
http://www.bhphotovideo.com/c/shop/8535/Microphones_Lavalier.html
Give your answer to this question below!
